I have developed a liking for women’s traditional headdresses from different Asian cultures, most especially the flower crowns worn by Balinese dancers and the more elaborate ones worn by Dan (a general name for female roles) in the Chinese opera. Of course, my interest for these things naturally trickles down to my works both on canvas and on paper.
We Had Our Parts To Play was one of the paintings I mounted for my second solo exhibition at JIV Manila Art Gallery. I had conceptualized the painting during the first quarter of 2012, but only managed to execute it in time for “Resurgence.” Partly inspired by Puccini’s Turandot, the painting features a Chinese opera actress modeled after my friend Julie. I had to include her hare tattoo that was based on a centuries-old book illustration.
Headdresses are integral accessories in Chinese opera costumes to help the audience identify specific roles. The more elaborate and striking the headdress, the more significant the character. The girl in the painting dons the headdress of an empress complete with pearls, faux jewels, butterfly embellishments, and silk tassels. Her heavily embroidered silk brocade is falling off her shoulders; she is in the process of undressing, suggesting that the play is over.
Behind the very oriental inspiration and imagery, the general idea behind the painting is actually a line from Shakespeare’s As You Like It, “All the world’s a stage, and all the men and women are merely players.” There is no such thing as an innocent bystander and a full-blown victim. What we have and all that we are in our present realities are results of our own decisions and actions. Our current situations are connected to all the things we ever did, no matter how small. We all have our parts to play.
This and my other paintings from “Resurgence” have recently been added to my shop in AVA.ph. I was originally saving this news as a Valentine’s Day offering, but the new giclee prints have just been launched last week. Better late than never, so I thought I might as well post about this on the last day of February.
Additionally, the old prints that have already been sold out haven’t been removed. Due to inquiries and requests, I’ve decided to make 3 copies per print available. That should be a nice treat. So far, I am very pleased with how my prints are faring on AVA.ph. I just might add more new works in the coming months. Anyway, do check them out at http://ava.ph/shops/78-katrina-pallon.html.